![]() Sections/Browse similar toolsĮxplanation: NEW SOFTWARE= New tool since your last visit NEW VERSION= New version since your last visit NEW REVIEW= New review since your last visit NEW VERSION= New version Latest version ![]() You can run simultaneous batches within the EditReady interface, allowing you to simultaneously generate proxy media and online material, or convert footage from different cameras. By leveraging the official Apple version, EditReady avoids compatibility issues. Many other transcoding apps on the market use a reverse engineered implementation of Apple ProRes. EditReady provides a simple player to view your content, even if it's in a legacy format. Mac users know that just viewing clips with QuickTime X isn't always as easy as we'd like. Whether you're working with MXF from a camera like the Samsung NX1 (H.265), Canon C300 or Sony F5 or FS7 (XAVC), an AVCHD camera like a Panasonic HDC-TM900 or Sony NX5U, an HDV camera like a Sony HVR-Z7U, or an MP4 camera like a GoPro HERO4 or Canon 5d Mark III, EditReady has you covered.ĮditReady automatically detects and combines spans from GoPro, AVCHD, M2T (FireStore, Datavideo, Sony, Citidisk), and multi-file MXF (including Panasonic, Canon, Sony, Resolve, XDCam, and XDCamEX) ![]() Rather than overwhelming you with hundreds of choices you'll never use, EditReady is tailored to the formats you use every day - convert any MXF, M2T (HDV), MTS (AVCHD), or QuickTime to ProRes, DNxHD/HR and H.264. It can even leverage the power of your graphics card for fast image processing.ħ.5 minute GoPro clip transcoded to ProRes 422, 2013 Macbook ProĮditReady is designed with video professionals in mind. ![]() You can even use metadata to automatically rename files.ĮditReady is designed to use all the power available on a modern mac. Or check your previewed clip in ScopeBox via our integrated ScopeLink connection.ĮditReady allows you to view and edit all of the metadata contained within your file - this may include location data, camera settings, and diagnostic information. Apply a LUT to preview your LOG media in video, or with a specific predetermined look. 20.EditReady allows you to screen your camera original media files before you transcode them. Platform details: M1 Ultra Mac Studio, Monterey 12.6.1, FCP 10.6.5, Apple Pro Video Formats 2.2.4, Apple RED Workflow ver. If you can upload some of that to DropBox I'll be happy to examine it. I don't have any Canon RAW material to test. Re playing or previewing the RAW file in EditReady, that works for RED RAW. I just tried applying a RED IPP2 LUT in EditReady to 8k V-Raptor material and transcoded it to H264, and that worked fine. Re using a LUT with RAW material, that also works OK in EditReady with RED RAW. That's a common reason people would use a LUT but with color space conversion you don't need it for that case. I just tested that with 6k material from a Komodo and 8k from a V-Raptor. Re transcoding from RAW to H264 with color conversion (say to Rec.709), that works fine on RED RAW. In general you cannot "passthrough" any RAW codec from any manufacturer using any software. Normally you want something like ProRes 4444, else why shoot RAW. I just tested 6k and 8k REDRAW from a Komodo and V-Raptor in EditReady 22.3.3, and it transcodes to H264 or ProRes 4444 fine. Is Edit Ready not compatible with Canon RAW or Red Raw? Are we forced to convert to Prores or DNxHD? I notice there is no ability to convert to CDNG either, which would be better for Prores Raw when coloring in Resolve. There is no option to preview (play) the files in edit ready either before executing the passthrough. ![]() It shows as CRM in "Get Info" but I cannot import the files into FCPX at all. Problem is that even though I have it set to passthrough, Edit Ready is converting it to a. One of you recommended I use Edit Ready so bought it and have been trying to do a passthrough from the card folder to an edit ready folder for importing. ![]()
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